DrMS gives you unrivaled high performance control over stereo material. It redefines the boundaries, literally, of stereo imaging and depth.

Dylan '3D' Dresdow - Mix Engineer (Black Eyed Peas, Michael Jackson, Prince)

About the most unique M/S processor out there, if not one of the most unique plug-ins we’ve seen in a long time.

TapeOp - Magazine

From creating space in the middle to making stuff come at you from behind your head, DrMS tackles it all superbly. It’s literally a level beyond any other stereoiser plugin I’ve used – and I’ve used them all.

Rik Simpson - Producer/Engineer/Mixer (Coldplay, Nathalie Imbruglia, Jay-Z)

It’s great to discover something excitingly new in sonics and music. I’m always hunting for that – DrMS hits it for me.

Luke Slater - DJ/Producer (Planetary Assault Systems)

It’s as if you can pick the sound up and move it around until it fits into place. It can make things 3D. It almost feels like a secret weapon. There’s nothing else quite like it.

Michalis 'MsM' Michael - Mix Engineer/Producer (Skepta, Royksopp/Robyn, Ed Sheeran)

DrMS offers a completely new approach to the manipulation of stereo material. Its innovative concept has enabled me to reach some spaces I didn’t think I could get to before.

Emre Ramazanoglu - Engineer/Producer (Shakira, Duffy, Alexander McQueen)

A bit of a wildcard – The functions for tweaking the stereo field are the deepest you’ll find. I have started using it all over tracks.

Om Unit - DJ/Producer (Cosmic Bridge records)