"The DrMS plugin gives you unrivaled high performance control over stereo material. It redefines the boundaries, literally, of stereo imaging and depth."

"This is a serious tool for the serious engineer at a low price that's hard to take serious."

"I recently used the DrMS plugin on a mix with Nat King Cole and Natalie Cole. Several of the source tracks were originally recorded decades ago, and included bleed and multiple instruments on the same track. With DrMS, I was able to better isolate the ambience on certain tracks and enhance it the way that worked best for the mix, allowing the lead vocals to be more in the pocket without rubbing up against other instruments within the sound stage."

Dylan '3D' Dresdow, Mix Engineer (Black Eyed Peas, Michael Jackson, Usher)

"DrMS offers a completely new approach to the manipulation of stereo material. It's innovative concept and user-friendly interface has enabled me to reach some spaces I didn't think I could get to before."

"I regularly use it to widen program material without losing mono compatibility often using a combination of the field and focus parameters to counter any issues brought up by use of the widening effect. Backing vocals, rhodes and pianos, drum rooms, and reverbs are just a few sources with which I frequently find a use for DrMS. It's also outstanding for creating some pretty crazy soundscapes with more extreme use of the functions!"

Emre Ramazanoglu, Engineer/producer (Lou Rhodes, FXpansion BFD2, Alexander McQueen)

"I've been looking for something that does this for over 15 years...
DrMS ROCKS!"

"I'm afraid to tell people how cool DrMS is... I want it all to myself."

Eric 'recorderman' Greedy, Producer/mixer (Hurt, Destiny's Child, The Smashing Pumpkins)

"I gotta say, this must be about the best, most flexible M/S processing tool I’ve used.

It’s good to have a comprehensive M/S tool for mastering and special effects, and this really must be that; I was quickly able to widen a track without harming the mono image, and add more bass and body to a lacking tune.

What’s cool about this is that, on top of the usual Mid/Side sections, you have “Focus” and “Field” which further manipulate the image by feeding the side into the mid and vice versa. Now you can widen the track, refocus the mids, tighten the widening…it’s crazy!

This is a tweaker’s dream!"

Audio Gazette, online pro audio blog & reviews

"about the most unique M/S processor out there, if not one of the most unique plug-ins we've seen in a long time"

TapeOp Magazine
Full review here »

“One important effect I used on many of the synths was the DrMS spatial processor plug‑in. It gives you three‑dimensional control over your audio, but different from any of the other plug‑ins out there. You can place things wide outside of your speaker plane, and still have them mono‑compatible. [...]

You can also mess with the two bottom parameters on the DrMS, Focus and Field, and get some very unique digital witchcraft that allows you to smudge up your audio so it either gets out of the way of other things, or brings it more into the foreground. The former was particularly helpful, because with a lot of synths I did not want to have too much focus on them, because you risk them getting in the way of more important parts, like the vocals.”